![]() Click the Polaroid to check out Austra in Studio K. #Best days of my life chorcs lissie for free#"Painful Like" is a great track off this record and is available for free download below. It halts to a minimalist make up of trickling piano keys and a confession that is soon forgotten amongst attacking drums and burlesque instrumental that simmers throughout the end of the record to leave a lasting impression. Most of the record is intoxicated with dance pulsations until “You Changed My Life” exhales as an emotional relief. The tonal quality of the vocalists seep flawlessly between the light and dark emotions evoked. Instead of letting the heaviness of the lyrics or pleas in “Forgive Me” saturate the record with sadness, electronica and classical beautifully blend together into a playful demeanor. Olympia then erupts into a clash of percussive dance beats that become the driving force through each track. “What We Done?”, the opening track ripples in minimally allowing the reverberant vocals to be distilled in their honesty and personalization that Stelmanis sets forth. Tags: radio k kuom weekly release spotlight deafheaven sunbather university of minnesota ![]() Warm and inviting, relaxed and unhurried, contemplative yet joyous, with Sunbather, Deafheaven’s latest release is rewriting the rules for both Black Metal and “the perfect summer album.” ![]() ![]() This feeling is not only accurate, but also extends far beyond the cover. Vocalist George Clarke says Sunbather’s album cover is meant to evoke the sensation of staring into the sun with your eyes closed, and that the name “Sunbather” was chosen for its sense of idealism and humanity. Similarly, the most affecting moments of the album are when songwriters George Clarke and Kerry McCoy combine their diverse influences in unexpected ways – See the screaming in the background of the melodic, drumless break partway through “Vertigo,” or the double-kick drumming that inserts itself into a down-tempo, Shoegaze-y section of “The Pecan Tree.” Sunbather is at its best when it tosses the unexpected at a spaced-out listener. The lead track “Dreamhouse” opens with guitar melodies that qualify as true earworms, and the outro to the last track, “The Pecan Tree” stands as one of the heaviest parts of the record, despite eschewing the blast beats and fast tempos that hallmark the album’s most metal moments. Seamlessly transitioning through four epic compositions (each stands at over 9 minutes long) separated by three less-structured interludes, this album does not ask you to pick and choose your favorite songs or riffs, but instead invites you to let its warm, cathartic atmosphere wash over you as you listen.ĭespite the relatively fluid nature of its structure, Sunbather has plenty of musical moments that stick out. While not an instrumental album by any means, Sunbather takes a shared cue from both Black Metal and Shoegaze and uses vocals not as a focal point, but as another layer of musical texture. ![]() For listeners unable to see the appeal of screamed vocals in metal music, this album may find success at increasing tolerance. Tremolo-picked Black Metal guitar leads run through Shoegaze effects, and quiet, slower sections break the monotony of blastbeats. The common thread between all its various influences is the importance of atmosphere. Sunbather takes influence from a variety of genres, from the abrasive playing style of Black Metal, to the hidden hooks of Shoegaze, and the dynamics and pure visceral ecstacy of Post-Rock. ![]()
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